Posts Tagged ‘symbolism’


Not the greatest sketch, but here’s an Inktober 2019 piece. The Inktober prompt was pattern. Yet people seemed to like the sketch on my Instagram. Maybe because the style looks a bit like my early Babalon Babes zine days. Threw in a few alchemy symbols.


Intober 2019 prompt no. 10: Pattern. Sketch by Michele Witchipoo. Oct. 2019.


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This just in. I will be participating in the 2016 Bushwick Open Studios (BOS) event with the Ridgewood Artist Coalition (RAC) over at OUTPOST Artist Resources from October 1 – 15 2016, from 12:00 pm to  6:00 pm. This will be a group art exhibit featuring many artists from the Ridgewood, Queens area of NYC, displaying work in various mediums.

Opening night details can be found on this OUTPOST page, from noon to 7 pm.

I’m especially pleased because I’ll be showing something fresh. This is part of a new series I’m working on. The series is still in process but I managed to get the first part in on time.


Reverend Mother. Pen, ink, illustration board. 2016. Loosely based on Frank Herbert’s Dune series. Illustration by Michele Witchipoo.

The new series is loosely based on Frank Herbert’s Dune. For a little over a year and half stone, I’ve been getting back into the science fiction genre. (In fact, the 50th anniversary of Star Trek happened this past Wednesday as of this posting.) Particularly those of a Dystopian nature. Dystopia is very fitting into these times, especially with current world and political events. Also, I think Dystopia forces us to confront some very uncomfortable truths about humanity through fiction. Many times Dystopian fiction is very disturbingly prophetic.

Despite some slight reservations I have about how the women are depicted in the Dune series, it’s still one of the best sci-fi stories of all time. My introduction to Dune came during my early ’80s adolescence. The film adaption finally came to the big screen, which I was lucky enough to catch during it’s original theatrical release. The film was produced by flashy producer Dino De Laurentiis and directed by art house fave David Lynch. It wasn’t the greatest film adaption, but at least it supplied some sort of visualization. It had enough impact upon me to buy the paperback at a local Queens drugstore, with the movie poster as the book cover. Years later gave this copy away, which I came to regret. Since then I’ve re-brought the novel at Topos Bookstore.

Enough details. What drew me back to Dune once again was through personal conversations, and it’s correspondence to magick. There’s a brilliant quote that’s pretty well known. It goes like this:

‘I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.’

You can apply this passage not only as an occultist, but also as any sort of creative. Whether you’re an artist, a writer, a musician, actor, etc. This can apply to life in general. In order to accomplish anything, one must get over, or break away from whatever holds the person back. You will never discover your true Will if you allow fear to overtake you.

Revisiting Dune the second time around, the characters that appealed to me the most were the Reverend Mothers.  Otherwise known as the Bene Gesserit. The Bene Gesserit is a very powerful sisterhood that can be liken to witches. So I’ve gone back using symbolism such as alchemy and combined it with the likeness of the Reverend Mothers.

The above piece is for sale. If anyone wants to acquire, you can send me an email.

See you during Bushwick Open Studios.




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As of this posting, it’s July 23rd, 2014. For some people, the number 23 holds a special meaning. Otherwise known as the ’23 Enigma.’

It’s been a very long time since I’ve done anything, art or writing wise relating to 23. It’s been a while since I’ve done anything relating to esoteric for that matter. (Stopped being active back in 2009) When I first started putting together my own self publish comics and illustration, I threw in a lot of symbolism. The number 23 was occasionally used.

I first heard of the 23 engima thanks to Re/Search Books back in the early ’90s. My first Re/Search book was ‘Modern Primatives‘ which talked about body modification and tattoo culture. This was way before the two subjects hit the mainstream. Inside the book was an interview with Genesis P-Orridge and his then-wife Paula P-Orridge (first wife). Genesis mentions the number 23 and the William S. Burroughs connection within this interview. This interview was also the first time I had learned about Aleister Crowley. So in a way, this was a portal of sorts.

Subconsciously, I noticed the number 23 more. My curiosity got the better of me, so I requested some information about T.O.P.Y. This is dating back to 1991 or 1992. When I received the magazine sized zine, it came with instructions on how to join TOPY. However at the time, despite the fact that I had already self-taught myself how to read tarot, and had dabbled slightly, this particular information was all a bit too heavy for me to deal with. My interest in anything occultist was pushed aside my until the early 2000’s.

Fast forward to the year 2006. I was in Lawrence, Kansas where William S. Burroughs spent the last ten years of his life. On an impulse I got a small tattoo of the number 23 on my inner right wrist.

These links might help explain the 23 enigma more here and here.

Ending this post is are old sketches. The first one is from 2005, very Psychic TV/TOPY influenced.  Looking back, I regret not initially going forward with the early instructions. Then again, I just wasn’t ready.

Psychic Kali by Michele Witchipoo, done back in 2005.

Psychic Kali by Michele Witchipoo, done back in 2005.

The second one was started in 2007 and completed in 2008. Believe this was published by AIN23 in 2009 or 2010. Would have to check up on that. In the meantime, enjoy and happy 23.

Chaos Mama by Michele Witchipoo back in early 2008.

Chaos Mama by Michele Witchipoo back in early 2008.




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From my Color Theory class. Created March 2011. Symbols used: Alpha & Omega with the Star of Babalon.

This was an exercise in Color Intervals and Transformation Keys. Different keys within color. Sort of like different keys in music.

Anyway, this still needs a bit of fixing up. Then off to school for grading.

Materials: Color-aid paper, black pastel paper & Bristol/vellum paper.

Alpha and Omega Color Theory Project. March 2011


*Update: Got an A for this piece.

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An iv17 Sol 8° Aquarius, Luna 20° Cancer Dies Jovis
Thursday, January 28, 2010 e.v. 5:04 PM

Now its time for an utterly ridiculous blog post.

Right before New Years, going into 2010, me and the boyfriend went down to a local pub. Basic fare, fried food and beer. You know, get in those extra calories before the new years’ resolutions. The ones where you swear not to overeat and drink. Yea, that one. Anyway, since the serving portion was huge, we decided to brown bag it.

Next morning…too lazy to make a proper nutritional breakfast and discovered this:

Interesting huh? Now you’re probably thinking, huh? At a glance it just looks like over-fried food. On the contrary, however. a closer look and this piece of leftover onion ring resembles the infinity symbol. The meaning of this infinity symbol is a mathematical one, (as in the number 8 sideways). Also in mystical terms, representing eternity with the universe. Sort of like the Ouroboro, the serpent devouring its own tail.

Take this tarot card for example. We’ll use the most famous deck of them all, the Rider-Waite deck. Here’s the first card, The Magician:

Look above the magician’s head. He is connecting himself with the universe:

Not satisfied with this, I decided to “magically” play with my food:

Now compare:

I was being silly, of course.
As for the food itself? It was consumed afterwards, except for the Infinity shaped onion ring. It had become inedible hard, so it went in the garbage can. To Will, to dare and to silently go into the trash.


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