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Posts Tagged ‘modern primitives’

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In a previous post, I talked about the passing of Genesis Breyer P-Orridge. Gen passed away almost a month after S/He celebrated h/er 70th Lesser Feast, aka birthday.

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I first heard about Psychic TV way back during high school. This was during the ’80s. It was nearly the height of my Siouxsie wannabe phaze, which actually last a few years. (During high school, I was a Siouxsie clone.) By this point I was hopping around all the import record shops down in NYC’s Greenwich Village area. I remember all of the Temple Record releases. I believe this might’ve been the era where Psychic TV tried to release 23 albums, on the 23rd day for 23 months. Already the PTV brand caught my eye.

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One day, a friend told me a mutual friend of ours took her to see Psychic TV over at The (old) Ritz, which is where Webster Hall now stands. Her assessment wasn’t much. She called them ‘pretentious.’ Looking back, her attention span probably was due to the lack of the ‘cute’ guy factor. Despite her negative review, this only peaked my interest more. My disregard for her scoffing was proven correct. This ‘friend’ later went from being Goth to chasing after all those tacky hair metal glam bands of the late ’80s. Don’t ever trust a Guns n Roses fan.

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The turning point was a purchase of the seminal RE/Search book Modern Primitives. Before tattoos, piercings and body modification were accepted in the mainstream, the underground movement was documented by V.Vale. After purchasing the book from See/Hear, I discovered a new world. Among those interviewed were Genesis P-Orridge and his first wife, formerly known as Paula P-Orridge. It wasn’t just tattoos they discussed. Through this book, I discovered many other worlds. I believe this was one of the first times I heard about Alister Crowley and William S. Burroughs. After reading about the frequency of the number 23, I started seeing 23s everywhere. Maybe it was my subconsciousness bringing it on. Later I discovered The 23 Current. It was my introduction to the esoteric, or occulture.

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After barely graduating high school, I started collecting Psychic TV albums. Similarly I learned about the Thee Temple Ov Psychick Youth. I sent away for information. The instructions received wasn’t something I was prepared for – although I kept that manual for many years. (Might even still own it)

Finally had a chance to see Psychic TV live in NYC, year 1991. This was during their ‘Acid House’ era. To this day it still remains one of the best concerts I saw in my life. Why I say this. Looking back on the concert, it wasn’t the performance, but the vibe, the energy. It’s only now I realize that concert might’ve altered my life. My perceptions slowly started to change. Still, it wasn’t until many years later when I decided to act upon my influences.

As the ’90s went on, my life switched directions. Psychic TV wasn’t on my radar so much. Occasionally I brought scattered PTV releases, such as a (now) rare spoken word CD which was later *stolen* (a-hem).  In the meantime, Gen, Paula and their two daughters had to go into exile. After settling in California, Gen and Paula divorced.

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In California, Genesis P-Orridge later got into a nasty accident while hanging out with the British band Love & Rockets. Escaping a fire, Genesis later sued record producer Rick Rubin, winning a large financial sum.

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Didn’t get into Psychic TV again until maybe around the early 2000s. By then, Gen had moved to NYC, met Lady Jaye, and a new chapter developed. It was known as the ‘Pandrogeny Project.’

In summer 2007, I saw Psychic TV live for the second time. The concert was at The Bowery Ballroom. I had just arrived back from Kansas City to NYC. It was the end of a chapter in my own personal life. During this gig, Lady Jaye was in the background playing the tambourine, as the latest incarnation of Psychic TV, now known as PTV3, embraced a more guitar psychedelic vibe. Video montages of the Pandrogeny couple flickered on stage as the band performed.

NEW YORK STORY (2007) originally made as a video projection to be projected behind the band Psychic TV during their live performances. Breyer P-Orridge, also known as Genesis P-Orridge and (recently deceased) life partner Lady Jaye, have garnered attention in recent years by undergoing medical procedures to eliminate their physical differences. “One of the central themes of our work is the malleability of physical and behavioral identity,” they explain, giving rise to their merged identity. The two intended to create a new gender, the “pandrogyne” called Breyer P-Orridge. This video takes Breyer P-Orridges exploration of the fictional self one step further. A video about identity and trans/formation that blurs the line between fantasy and reality. A video by Nicolas Jenkins

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Unfortunately Lady Jaye dropped her body that same year. I managed to catch this incarnation of PTV3, just in time.

After Lady Jaye’s death, Genesis Breyer P-Orridge continued with Psychic TV. I saw Gen’s spoken word performances numerous times during this period. (One spoken word project was known as Thee Majesty.) Once was when Gen was on the same bill as (early) Cold Cave and Boyd Rice. It was commemorating the anniversary of the Manson murders. The last spoken word GPO performance I saw was in 2015. S/He opened up for Japanese noise musician Merzbow. Gen’s whole set was really about Lady Jaye, eight years after her death. It was the saddest I’ve seen Gen. Afterwards, Gen walked on stage in the middle Merzbow’s set, no reason given. S/He stood there for a few minutes, then walked off. That was it. The concert version of “photo bombing.” My words the next day: ‘Gen is not a well woman.’ 

In 2016, Gen had an extensive exhibit at the Rubin Museum, Try To Altar Everything.

Winter 2019. I decided to see Cold Cave in concert again, partly because Psychic TV was booked to be the opening act. This was never meant to be. At this point, Gen was diagnosed with leukemia. The night of the concert, Genesis was much too ill to perform. PTV had no choice but cancel their set last minute.

That’s when I knew Gen didn’t have too long to live.

Luckily, Gen found a new love, who supported not only Gen emotionally, but was comfortable living with Lady Jaye’s memory.

Now it’s 2020, a year of chaos and uncertainly. While COVID-19 was just starting to be acknowledged as a serious threat, news broke about Gen’s passing. Just happen to be cruising through Instagram, when I stumbled upon a post by Cold Cave. Genesis Breyer P-Orridge went on to H/She’s Greater Feast on  Gen’s death was expected, but it still left a void. Despite all the controversies, (people have told me over the years how S/he screwed many people over), Gen still broke boundaries, influencing many worldwide. It’s this blog post that I acknowledge the crucial influence GPO had upon me.

Here’s an illustration I did the other night. It’s Genesis P-Orridge from s/he early PTV days. Around the time Thee Temple of Psychick Youth was formed.

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Poor-trait of Genesis Breyer P-Orridge from the early Psychic TV days. Illustration by Michele Witchipoo. March 2020. 

The next and final GPO post will focus on COUM Transmissions and mainly, Throbbing Gristle. Stay tuned.

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Last month we went to check out the Stanley Kubrick photography exhibit over at the Museum of The City of New York. Stanley Kubrick has always been one of my favorite film directors. Back in high school, I made it a mission to check out every film Kubrick directed. This was way before the days of Netflix. If it wasn’t available on VHS, then I would hit up all the revival movie theaters. You millennials have it so easy nowadays!

Luckily films are now more easily obtainable. If it can’t be found on Blu Ray, DVD or through a streaming service, there always places in NYC. For example, Videology Bar and Cinema over in Williamsburg, Brooklyn.

Anyway, I sought out most of Kubrick’s films. 2001: A Space Odyssey, Lolita, the prophetic Dr. Strangelove, The Shining, Full Metal Jacket, and of course, A Clockwork Orange. Even sat through that yawn fest Barry Lyndon. Although I never managed to catch the earlier films like The Killing or Paths of Glory. Did watch Eyes Wide Shut much later on – despite my disdain for Tom Cruise.

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Entrance for the Stanley Kubrick photography exhibit over at the Museum of the City of New York. July 2019. Photo by Michele Witchipoo.

Before Kubrick became an influential film director, he got his start as a photographer for Look Magazine. At the exhibit, open until Oct. 28th, 2018, you can see the gritty yet candid detail that would later show up in Kubrick’s films. Kubrick was just 17 years old when he sold his first photo to Look back in 1945. These photos also show how NYC was from 1946 to 1951.

 

New York City wasn’t just Kubrick’s subject. At the exhibit, a Kubrick photograph of a tattooed and pierced carny was not accepted by the editors of Look. Apparently the photo was thought as ‘too extreme.’ It was decades before the ‘Modern Primitive‘ movement, which led to the current acceptance of body modification.

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The photo below particularly stood out. It’s of professional boxer Rocky Graziano. Graziano was trying to repair his reputation when Look did a feature on him. Boxing later helped Kubrick make the transition from photography to filmmaking.

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After walking through the Kubrick exhibit we checked out the rest of the museum. Right next to the Kubrick showing was the last day of Rebel Women, which inspired this sketch done back in August.

 

At the other end of the floor was a retrospective of the feminist era. It showed the beginning of the women’s rights movement, ending with one of Hilary Clinton’s infamous pantsuits.

 

Which leads to the Psycho Bunny sketch of the week. This sketch isn’t just a sketch. This weeks shows the cover of the latest Psycho Bunny issue. If all goes well, hopefully Psycho Bunny issue 3.5 will be released at the end of October.

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This may or may not be the final version of the cover. It really depends on finding the original typeface of the lettering used for the A Clockwork Orange film poster. For now you have an ideal about what the front cover looks like. Other details forthcoming. If the latest issue is completed in time, it’ll mostly likely debut at Incredicon, taking place in Upstate NY, Oct. 28th. Incredicon is a very small con, but it’s been a while since I’ve tabled at a comic book convention.

My life has been busy as of life. You however, still have time to check out these social media links:

Facebook: pages for Psycho Bunny and for Michele Witchipoo – WitchesBrewPress.

 Twitter: One account for me, and one for Psycho Bunny.

Tumblr: World Ov Witchipoo

Instagram: there’s WitchipooArt.

Get yourself some cool stuff on RedBubble, featuring my designs. There’s dresses, tee shirts, notebooks, etc. The notebooks, and the Quentin Crisp tees seems to be one of the best selling items.

Still haven’t gotten around to posting those commissions on this blog. Maybe this week I’ll get around to doing so. Until then, stay tuned.

 

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As of this posting, it’s July 23rd, 2014. For some people, the number 23 holds a special meaning. Otherwise known as the ’23 Enigma.’

It’s been a very long time since I’ve done anything, art or writing wise relating to 23. It’s been a while since I’ve done anything relating to esoteric for that matter. (Stopped being active back in 2009) When I first started putting together my own self publish comics and illustration, I threw in a lot of symbolism. The number 23 was occasionally used.

I first heard of the 23 engima thanks to Re/Search Books back in the early ’90s. My first Re/Search book was ‘Modern Primatives‘ which talked about body modification and tattoo culture. This was way before the two subjects hit the mainstream. Inside the book was an interview with Genesis P-Orridge and his then-wife Paula P-Orridge (first wife). Genesis mentions the number 23 and the William S. Burroughs connection within this interview. This interview was also the first time I had learned about Aleister Crowley. So in a way, this was a portal of sorts.

Subconsciously, I noticed the number 23 more. My curiosity got the better of me, so I requested some information about T.O.P.Y. This is dating back to 1991 or 1992. When I received the magazine sized zine, it came with instructions on how to join TOPY. However at the time, despite the fact that I had already self-taught myself how to read tarot, and had dabbled slightly, this particular information was all a bit too heavy for me to deal with. My interest in anything occultist was pushed aside my until the early 2000’s.

Fast forward to the year 2006. I was in Lawrence, Kansas where William S. Burroughs spent the last ten years of his life. On an impulse I got a small tattoo of the number 23 on my inner right wrist.

These links might help explain the 23 enigma more here and here.

Ending this post is are old sketches. The first one is from 2005, very Psychic TV/TOPY influenced.  Looking back, I regret not initially going forward with the early instructions. Then again, I just wasn’t ready.

Psychic Kali by Michele Witchipoo, done back in 2005.

Psychic Kali by Michele Witchipoo, done back in 2005.

The second one was started in 2007 and completed in 2008. Believe this was published by AIN23 in 2009 or 2010. Would have to check up on that. In the meantime, enjoy and happy 23.

Chaos Mama by Michele Witchipoo back in early 2008.

Chaos Mama by Michele Witchipoo back in early 2008.

 

 

 

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