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Archive for the ‘music’ Category

Been on a kick lately. Listening to music from the late ’70s and early ’80s. Which means lots of classic New Wave and Punk Rock.

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Due to this, it was time for a portrait of Poly Styrene. For those who don’t know, Poly Styrene is best known as the lead vocalist for the seminal British Punk band X-Ray Spex. X-Ray Spex’s album Germ Free Adolescence is considered a Punk classic.

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X-Ray Spex. 

Born to a Scottish-Irish mother and Somali-born father, Poly was born Marianne Joan Elliott-Said in 1957 England. Her mother raised her as a single parent. After trying her hand in Ska and Reggae, Poly was inspired to form a band after catching The Sex Pistols in concert. That band was X-Ray Spex.

 

After performing at a gig in 1978, Poly started getting visions. Her mother, alarmed about Poly’s hallucinations, took her to the hospital. There, the singer was misdiagnosed with schizophrenia, and taken out of the public eye. Thirteen years later in 1991, she was diagnosed with bipolar disorder. In 1983, she converted into the Hare Krishna faith.

Around 1980 she embarked on a solo career. Poly Styrene released a few albums over the past few decades. Her last album, Generation Indigo was produced by Martin Glover, best known as Youth from the band Killing Joke. Generation Indigo was released on April 24, 2011, a day before Poly’s passing. The cause of death was  metastatic breast cancer.

In 2017, her daughter started a crowd funding online for the documentary Poly Styrene: I Am A Cliché. Two years later in 2019, a biography titled Dayglo! was published. The documentary is expected to be finished in 2020, unless Covid19 gets in the way.

Without further ado, here’s a portrait of Poly Styrene, in one of her famous stage outfits. After doing the illustration, I read that Poly later complained about the ensemble. While I could understand why she wasn’t fond of the gear, like many others, I beg to differ. If anything, it would be considered highly couture today.  The illustration was done in pen, ink and watercolor. Another little bit of irony. After just finishing the piece, I discovered Poly Styrene’s birthday was only a few days away, on July 3rd.

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Poly Styrene, from X-Ray Spex, and later on solo singer. Completed June 27, 2020. Pen, ink and watercolor. Done by Michele Witchipoo. 

 

Additional Links:

https://www.independent.co.uk/news/people/profiles/my-secret-life-poly-styrene-singer-51-811129.html

https://www.polystyrenefilm.com/

https://www.anothermag.com/fashion-beauty/9857/the-unforgettable-poly-styrene-first-woman-of-punk

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There was once a crazy looking and sounding decade known as the 1970s. During the first part of those ten years, there was the Glam rock phenomenon. Glam rock, sometimes known as Glitter rock was massive in the U.K. For starters, you had David Bowie, at the height of his Ziggy Stardust period. There was T. Rex, with Marc Bolan. Another influential band was Roxy Music. Around the same time were rocks outfits such as Queen, Mott The Hoople, and early Elton John.

In the U.S., you had acts like shock rocker Alice Cooper, The NY Dolls, Suzi Quatro, KISS, Lou Reed (briefly after breaking with The Velvet Underground), and maybe Iggy and The Stooges, or just Iggy himself. Jobriath was an American music artist that was extremely hyped, but his overt gay sexuality was too much during that time. It’s only within the past ten years that Jobriath is being discussed. This is not to be confused with Glam Metal, which dominated mainstream rock during the ’80’s.

After that, you had your “Bubblegum” pop crew, with acts like Gary Glitter, Wizzard, Alvin Stardust, and a few others. We won’t discuss Gary Glitter cause like, that would be awkward.

Then we had Sweet.

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Originally called The Sweetshop, the intital lineup formed in 1968. Bassist and vocalist Steve Priest was one of the founding members, along with Brian Connelly and Mick Tucker. It wasn’t until around 1970 when The Sweet met up with songwriters Nicky Chinn and Mike Chapman. Chinn and Chapman for short. After a few attempts, The Sweet struck gold on the British charts with Bubblegum type hits like ‘Little Willy‘, ‘Block Buster‘, and ‘Wig-Bam-Wam‘. In 1973, the song ‘The Ballroom Blitz‘ became an international hit, charting in Canada, Europe, Australia, and the U.S.

The Sweet also had a then-considered outrageous look, which boosted their image. The Sweet’s makeup and wardrobe fit in perfectly with the Glam rock craze of the early ’70s.

The end of 1973, and from 1974 onward, the word ‘the’ was dropped from the band name. They were officially known as simply Sweet.

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The year of 1974 was also the year Sweet were tired of the Chinn and Chapman formula. Wanting to go in a more harder rock direction, this was reflected in the next two albums, Sweet Fanny Adams and Desolation Boulevard. The U.S. release of Desolation Boulevard differs from the U.K. version. For example, the U.S. pressing includes the international ditty, ‘Ballroom Blitz.’ Interjecting a personal opinion, Desolation Boulevard is one of my favorite albums.

 

Their biggest hit was ‘Fox On The Run‘, released in 1975. Following Desolation Boulevard was the albums Give Us a Wink, and the live album Strung up. Strung Up, was released only in Europe. After proving the band was self sufficient in both songwriting and production, Sweet officially broke away from the Chinn-Chapman partnership.

Nothing lasts forever as the saying goes. Things slowly went from sweet to sour. They had one last international hit with the epic ‘Love Like Oxygen.’ Again, ‘Love Like Oxygen‘ and the album ‘Level Headed‘ showed another change in direction. A more mellower sound emerged. ‘Level Headed‘ would be the last good album Sweet would release.

After 1978, Sweet would fall from grace. Vocalist Brian Connelly left the band. The rest of Sweet carried on, until the 1980 breakup. Since 1984, there’s been various version of Sweet, all led by different members, going in different directions. Brian Connelly died in 1997. Mick Tucker passed away in 2002. With Steve Priest’s death on June 4, 2020, Andy Scott is the last Sweet member alive.

Taking a break from the pandemic and the current U.S. civil unrest, I drew a quick illustration of Sweet. It’s a bit rushed, but it captures Sweet during their Glam Bubblegum era. Done in pen, ink, watercolor, and shimmer watercolor. The shimmer watercolor adds to the Glam rock image.

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Sweet. Quick illustration by Michele Witchipoo, June 2020. Pen, ink, watercolor, shimmer watercolor.

 

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Been meaning to do a portrait of Little Richard, since hearing about his death. Earlier last month, one of the founders of a musical genre we all know as Rock n’ Roll passed away on May 9, 2020. He was was 87 years old.

Rock and Roll would not exist if it wasn’t for both black and white musicians, both coming from poor backgrounds. It was created by combining country, bluegrass, swing, and blues. Thus creating America’s most famous bi-racial child. We often hear about Elvis. Don’t get me wrong – watching early footage of Elvis before the ’70s, you can see Elvis’ natural charisma shining through. Elvis had that superstar quality. But there were others in the early Rock and Roll game. One of best from that era was Little Richard.

Heavily influenced by Esquerita, Little Richard was one of the first crossover artists with  integrated audiences during the segregation era. Despite many venues having segregated entrances – i.e., separate entrances and seating for white attendees, and for black attendees. His songs topped the charts in both the U.S, and the U.K. Later on many of those same songs were covered by white performers. Among his peers were Buddy Holly, Bill HaleyJerry Lee Lewisthe Everly BrothersGene Vincent , Eddie Cochran and yes, even Elvis Presley himself.

My mother would occasionally tell me what a huge fan my aunt was back in Liverpool, England. Needless to say, my mother NOT being a rock and roll fan, was annoyed by my aunt constantly playing “Lucille.” In my mother’s defense, her tastes were more aligned with Roy Orbison, Nat King Cole and Frank Sinatra. My mother accidentally got caught up in music history, when she was dragged by her friends to see a certain band called The Beatles. That’s another post altogether.

Speaking of which, Little Richard’s influence was felt by such acts like The Beatles, and The Rolling Stones. Little Richard himself had a ’60s comeback after having a turn at evangelism. (Little Richard would also flip flop on sexuality) He would go back and forth from music to religion, then back again. During 1964, Little Richard hired a then unknown musician named Jimi Hendrix to play in Little Richard’s backup band, World Famous Upsetters. Unfortunately, Little Richard and Hendrix clashed a bit, over matters like lateness, wardrobe, Hendrix’s stage antics, and money. It worked out for Hendrix in the end, as he later became one of the most famous guitarists of all time.

Little Richard kept on performing throughout the ’70s, up until his final concert in 2014. He also made appearances on talk shows, award ceremonies, and film. In the end, he was acknowledged as The Innovator, The Originator, and The Architect of Rock and Roll.

Wrapping up this blog post, here’s an illustration I did earlier tonight. Done in pen, ink, watercolor and shimmer watercolor. Although the scan never picks up on the shimmer. Here’s Little Richard during his iconic heyday during the 1950’s.

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Little Richard. Illustration by Michele Witchipoo. June 2020. Pen, ink, watercolor, shimmer watercolor. 

One of my own heroes, filmmaker John Waters, discusses meeting Little Richard:

https://www.theguardian.com/music/2010/nov/28/john-waters-met-little-richard

https://www.rollingstone.com/music/music-features/john-waters-little-richard-996961/

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If you haven’t heard, I’m doing my radio show again. This time remote. You can hear the show every Wednesday from 7-8pm ET on WHCSradio.org.

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Last week I interviewed returning guest Maria Photinakis. She recently had an article in the Boston Globe about her Covid19 diaries, which you can check out on WEBTOON. Hopefully I can upload the latest interview here. Past episodes can also be heard on Spotify, iTunes podcast, and other outlets.

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This Wednesday I’ll be interviewing punk rock artist and musician Anthony Begnal. He’s done comics and co-founder, along with his wife, of the band Chesty Malone and The Slice Em Ups. Self proclaimed as ‘Satanic Brooklyn Scum’, the band has played the East Coast and Midwest for over 13 years. Chesty has merch available for sale.

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Still doing my quarantine portraits. Here’s one of the legendary ’80s band Duran Duran.

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Duran Duran. Pen, ink, watercolor. Done by Michele Witchipoo. April 2020

While politics sucked, the 1980s had some amazing music. Duran Duran ruled the airwaves during the early to mid-80s. The band is still around today. They continue to release new material, tour, and reach out to fans via Twitter.

Duran Duran member John Taylor recently contracted and survived Covid-19, the novel coronavirus. Here’s to the road to recovery.

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Since the quarantine, I’ve been sketching a lot. Here’s one of the German Neue Deutsche Härte band, Rammstein. Done in pen, ink, and watercolor. You can see the glimmer watercolors in person.

In the U.S., Rammstein is known for one song, Du Hast. Personally, I’m sick of Du Hast, and the other single Engel, from the album Sehnsucht. Instead I prefer songs from Mutter. Rammstein’s latest, debuted on May 2019. It has been ten years since the band released an album. The band was supposed to begin their first ever U.S. stadium tour, starting late summer/early fall 2020. It’s hard to say what’s going to happen thanks to Covid-19. The band posted a statement regarding future info on their website.

Rammstein’s lead singer, Till Lindemann, was recently hospitalized. Originally it was reported it was Coronavirus. Later the press confirmed the opposite; Lindermann tested negative.

Stay tuned for more music inspired illustrations.

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Trying to get my mind off this Covid-19 pandemic. So today I drew Post-Punk legend Gary Numan.

Quick sketch of Gary Numan. Pen, ink, digital color. Michele Witchipoo. April 2020.

Like everyone else, my introduction to Numan came through his classic album The Pleasure Principle. It’s an album I still play to this day. Mixing dystoptian influences with new wave sounds, Numan had an international hit with the song Cars. Numan is far from being a one note act. He’s also an accomplished aviator. Besides electronic new wave, he’s dipped into experimenting with jazz, funk and rock.

Rare Gary Numan 1997 three song EP. CD design by comic book artist Joseph Michael Lisnser.

One footnote was his 1997 single/E.P. release titled Magic. Comic book artist Joseph Michael Lisnser designed the cover. Lisnser is known for the comic book series Cry For Dawn.

Numan first fortay into the public spotlight was with the band Tubeway Army. After he went solo, the rest is history. Numan is still going strong today, releasing albums and touring. I finally had a chance to see him live in December 2017. Numan and his band performed most of the songs from the album The Pleasure Principle.

Gary Numan live in December 2017. Brooklyn, NY.

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The last of a three post tribute to Genesis P-Orridge, who passed away on March 14th, 2020. P–Orridge had been battling leukemia for two years, so the passing wasn’t a surprise. S/he was 70 years old.

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As stated in previous posts, Genesis P-Orridge was many things. Among them, a poet, an artist in both fine and performance art, archivist, musician, occultist, and all around trangressor. Between 1993 – 2009, Genesis went under a series of body and face modifications with S/he wife Lady Jaye under ‘The Pandrogeny Project.’ The goal was to create a third gender. This is the reason for the S/he pronoun after 1993.

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Genesis’ path towards creative transgression started after leaving art university sometime during the late 60s, Gen joined a London counter culture commune. These communes were popular during those days. After moving back to Hull, he met Christine Carol Newby, better known as Cosey Fan Tutti. Tutti and P-Orridge became a couple, and formed COUM Tranmissions.

COUM Tranmissions wasn’t exactly ‘kid friendly’ entertainment.

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Influenced by the Dada movement, the performance art collective specialized in subversive confrontation. Subject matter included taboos such as prostitution and pornography.

 

In fact, it was the art performance of The Prostitution Show that gathered the attention of  not only the British press, but of Parliament. It was a conservative MP who declared the event, and persons involved to be “wreckers of civilization”.

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The Prostitution Show was also the debut of the seminal band Throbbing Gristle. Formed by P-orridge, Tutti, and Peter “Sleazy” Christopherson, with Chris Carter joining. Throbbing Gristle is considered one of founders of the genre  Industrial Music. 

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(Check out this PDF file.)

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Industrial has since morphed into various other sub-genres. If it wasn’t for Throbbing Gristle, certain bands wouldn’t even exist. One prime example is mainstream rock act *Nine Inch Nails. (Later, Christopherson, who formed the band Coil, got into directing music promo videos. Christopherson later directed videos for Nine Inch Nails)

Throbbing Gristle continued on their subversive mission. Their first gig abroad was performed in front of the Berlin Wall, before the unification. In 1980, the four piece  performed a concert at an English all boys boarding school.

On May 29th, 1981, Throbbing Gristle played their last concert in San Francisco, California, U.S.A. Gen and Sleazy went on to form Psychic TV. Sleazy later broke off from Psychic TV to begin his own band Coil. The other half became Chris and Cosey, later known as Carter Tutti.

They later reformed sometime around 2004, working on and off. During this period, three albums were released: TG Now (2004), Part Two (2007), and The Third Mind Movements (2009)

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Throbbing Gristle after reforming, mid-2000s. 

In 2009 TG embarked on U.S. tour. In New York, they played a series of concerts at a Brooklyn masonic hall, and at Le Poisson Rouge. I was lucky enough to see both TG concerts at the Brooklyn masonic temple. Not just once, but twice. During intermission TG had a meet and greet. Below are autographs in a sketch pad.

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Autographs from Throbbing Gristle. 2009.

Although I should’ve done this already, I still haven’t gotten those signatures framed. The sketchbook is tucked away somewhere in my home.

Below is a very bad cellphone recording of TG during one of those nights.

Throbbing Gristle hit another snag again in October 2010. Genesis P-Orridge announced s/her’s departure, and the rest of TG continued to tour under X-TG. The band broke up for good following the death of Sleazy. Sleazy died in his sleep, November 2010.

There’s way to much about COUM Tranmissions, and Throbbing Gristle to mention here. My suggestion is, if you can, find three books: RE/Search’s Industrial Culture Handbook (Andrea Juno and V.Vale) , the out of print Wreckers of Civilization: The Story of COUM Tranmissions and Throbbing Gristle by Simon Ford, and Cosey Fan Tutti’s 2017’s autobiography Art Sex and Music. (which does NOT paint Genesis P-Orridge in a good light; P-Orridge was described as being abusive and narcissistic.  Just one of various  accusations pointed at Gen.)

Perhaps I should do a blog post about Cosey Fan Tutti , or Chris and Cosey, aka Carter Tutti. In the meantime, here’s a sketch done in tribute to Genesis P-Orridge. Pen and ink, done March 2020.

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Illustration of Throbbing Gristle. Pen and ink. Drawn by Michele Witchipoo. March 2020. 

 

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Most people outside of the Industrial/Noise/Experimental scene have never heard of Merzbow. As someone once said “that’s a hard sell.”

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Masami Akita started the Merzbow project back in 1979. His style of music, or rather, anti-music combines distortion, feedback, and noises from synthesizers, machinery,  home-made noisemakers, with help from laptops. Due to his background in drumming, unlike other avant garde Noise musicians, Merzbow blends slight melody and rhythm into his aural assaults.

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Masami Akita started out as a traditional drummer and studied art at Tamagawa University. According to his Wikipedia page: “While at university, he became interested in the ideas of dada and surrealism and also studied Butoh dance.[8] At Tamagawa, he learned of Kurt Schwitters‘ Merz, or art made from rubbish, including Schwitters’ Merzbau (meaning Merz building, German pronunciation: [ˈmɛʁtsˌbaʊ̯]), which is the source of the name Merzbow.[9]” 

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Breaking away from Psychedelic Rock and Free Jazz, Akita’s style evolved over time. Mostly known for Noise Electronics, he’s collaborated with various other avant garde musicians such as Z’EV. Over time he’s been influenced by Grindcore and Death Metal, but later incorporated Psychedelia and Ambient styles into the mix. The tools he’s used also changes over time. Again from his Wikipedia page, “Starting in the mid-2000s, Masami Akita began to reintroduce junk metal and effects pedals back into his setup. By the early 2010s, he was using a large number of pedals, oscillators and tone generators, and reduced to a single laptop running granular synthesis software. In 2014, he toured without a laptop. In 2008, Akita reintroduced the drum kit, his first instrument. This can be heard on the 13 Japanese Birds series.”

In addition to his multiple releases, Akita has been involved in numerous music/noise side projects.

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Akita is known for advocating animal rights. He’s supported PETA while maintaining a vegan diet. In Japan he’s also a published editor, writer and author. Merzbow’s articles has documented music, underground/subcultures, and modern art,. Other articles spoke about BDSM and Japanese bondage. Akita’s other interests include painting, photography, filmmaking, and Butoh dance.

I finally had a chance to see him perform in 2015. The venue sold out of advance tickets, taking place in Williamsburg, Brooklyn’s Output (since closed). Genesis P-Orridge opened for him, doing a spoken word set. (Gen also walked on stage during Merzbow’s set for no reason, except to stand there with arms raised. Then quickly rushed off as quickly as S/he rushed on. Completely random.) There was another chance to see him over at Knockdown Center two years ago, but my schedule wouldn’t allow it.

Here’s a quick sketch I did last night. Hand drawn, pen and ink. Now that I have all this extra time due to the Coronavirus.

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Masami Akita, aka Merzbow. Pen and ink, hand drawn. Sketch by Michele Witchipoo, March 2020.

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In a previous post, I talked about the passing of Genesis Breyer P-Orridge. Gen passed away almost a month after S/He celebrated h/er 70th Lesser Feast, aka birthday.

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I first heard about Psychic TV way back during high school. This was during the ’80s. It was nearly the height of my Siouxsie wannabe phaze, which actually last a few years. (During high school, I was a Siouxsie clone.) By this point I was hopping around all the import record shops down in NYC’s Greenwich Village area. I remember all of the Temple Record releases. I believe this might’ve been the era where Psychic TV tried to release 23 albums, on the 23rd day for 23 months. Already the PTV brand caught my eye.

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One day, a friend told me a mutual friend of ours took her to see Psychic TV over at The (old) Ritz, which is where Webster Hall now stands. Her assessment wasn’t much. She called them ‘pretentious.’ Looking back, her attention span probably was due to the lack of the ‘cute’ guy factor. Despite her negative review, this only peaked my interest more. My disregard for her scoffing was proven correct. This ‘friend’ later went from being Goth to chasing after all those tacky hair metal glam bands of the late ’80s. Don’t ever trust a Guns n Roses fan.

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The turning point was a purchase of the seminal RE/Search book Modern Primitives. Before tattoos, piercings and body modification were accepted in the mainstream, the underground movement was documented by V.Vale. After purchasing the book from See/Hear, I discovered a new world. Among those interviewed were Genesis P-Orridge and his first wife, formerly known as Paula P-Orridge. It wasn’t just tattoos they discussed. Through this book, I discovered many other worlds. I believe this was one of the first times I heard about Alister Crowley and William S. Burroughs. After reading about the frequency of the number 23, I started seeing 23s everywhere. Maybe it was my subconsciousness bringing it on. Later I discovered The 23 Current. It was my introduction to the esoteric, or occulture.

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After barely graduating high school, I started collecting Psychic TV albums. Similarly I learned about the Thee Temple Ov Psychick Youth. I sent away for information. The instructions received wasn’t something I was prepared for – although I kept that manual for many years. (Might even still own it)

Finally had a chance to see Psychic TV live in NYC, year 1991. This was during their ‘Acid House’ era. To this day it still remains one of the best concerts I saw in my life. Why I say this. Looking back on the concert, it wasn’t the performance, but the vibe, the energy. It’s only now I realize that concert might’ve altered my life. My perceptions slowly started to change. Still, it wasn’t until many years later when I decided to act upon my influences.

As the ’90s went on, my life switched directions. Psychic TV wasn’t on my radar so much. Occasionally I brought scattered PTV releases, such as a (now) rare spoken word CD which was later *stolen* (a-hem).  In the meantime, Gen, Paula and their two daughters had to go into exile. After settling in California, Gen and Paula divorced.

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In California, Genesis P-Orridge later got into a nasty accident while hanging out with the British band Love & Rockets. Escaping a fire, Genesis later sued record producer Rick Rubin, winning a large financial sum.

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Didn’t get into Psychic TV again until maybe around the early 2000s. By then, Gen had moved to NYC, met Lady Jaye, and a new chapter developed. It was known as the ‘Pandrogeny Project.’

In summer 2007, I saw Psychic TV live for the second time. The concert was at The Bowery Ballroom. I had just arrived back from Kansas City to NYC. It was the end of a chapter in my own personal life. During this gig, Lady Jaye was in the background playing the tambourine, as the latest incarnation of Psychic TV, now known as PTV3, embraced a more guitar psychedelic vibe. Video montages of the Pandrogeny couple flickered on stage as the band performed.

NEW YORK STORY (2007) originally made as a video projection to be projected behind the band Psychic TV during their live performances. Breyer P-Orridge, also known as Genesis P-Orridge and (recently deceased) life partner Lady Jaye, have garnered attention in recent years by undergoing medical procedures to eliminate their physical differences. “One of the central themes of our work is the malleability of physical and behavioral identity,” they explain, giving rise to their merged identity. The two intended to create a new gender, the “pandrogyne” called Breyer P-Orridge. This video takes Breyer P-Orridges exploration of the fictional self one step further. A video about identity and trans/formation that blurs the line between fantasy and reality. A video by Nicolas Jenkins

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Unfortunately Lady Jaye dropped her body that same year. I managed to catch this incarnation of PTV3, just in time.

After Lady Jaye’s death, Genesis Breyer P-Orridge continued with Psychic TV. I saw Gen’s spoken word performances numerous times during this period. (One spoken word project was known as Thee Majesty.) Once was when Gen was on the same bill as (early) Cold Cave and Boyd Rice. It was commemorating the anniversary of the Manson murders. The last spoken word GPO performance I saw was in 2015. S/He opened up for Japanese noise musician Merzbow. Gen’s whole set was really about Lady Jaye, eight years after her death. It was the saddest I’ve seen Gen. Afterwards, Gen walked on stage in the middle Merzbow’s set, no reason given. S/He stood there for a few minutes, then walked off. That was it. The concert version of “photo bombing.” My words the next day: ‘Gen is not a well woman.’ 

In 2016, Gen had an extensive exhibit at the Rubin Museum, Try To Altar Everything.

Winter 2019. I decided to see Cold Cave in concert again, partly because Psychic TV was booked to be the opening act. This was never meant to be. At this point, Gen was diagnosed with leukemia. The night of the concert, Genesis was much too ill to perform. PTV had no choice but cancel their set last minute.

That’s when I knew Gen didn’t have too long to live.

Luckily, Gen found a new love, who supported not only Gen emotionally, but was comfortable living with Lady Jaye’s memory.

Now it’s 2020, a year of chaos and uncertainly. While COVID-19 was just starting to be acknowledged as a serious threat, news broke about Gen’s passing. Just happen to be cruising through Instagram, when I stumbled upon a post by Cold Cave. Genesis Breyer P-Orridge went on to H/She’s Greater Feast on  Gen’s death was expected, but it still left a void. Despite all the controversies, (people have told me over the years how S/he screwed many people over), Gen still broke boundaries, influencing many worldwide. It’s this blog post that I acknowledge the crucial influence GPO had upon me.

Here’s an illustration I did the other night. It’s Genesis P-Orridge from s/he early PTV days. Around the time Thee Temple of Psychick Youth was formed.

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Poor-trait of Genesis Breyer P-Orridge from the early Psychic TV days. Illustration by Michele Witchipoo. March 2020. 

The next and final GPO post will focus on COUM Transmissions and mainly, Throbbing Gristle. Stay tuned.

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